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Solomon Burke
Roy Tyler and New Directions
**(Solomon Burke
also plays Slim's on Saturday,
October 26)**
Date:
October 27, 2002
Doors: 7:00 PM
Show: 8:00 PM
Tickets:
On Sale Now
$25 General Admission
$45 Preferred Seats
**30 preferred tickets are available
at $45 each which will include dinner. Dinner will be served between
7:30 - 8:30. Seats will be located front and center at the foot of
the stage.**
Tickets available at Tickets.com
and virtuous.com
Tickets also available via phone at
415-478-2277
Age Restrictions:
6 and over
Kitchen:
Special Menu Available
Seating: Limited |
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What's become of soul music? It didn't die with Otis Redding; it didn't
stop when Al Green quit; it didn't fade with James Browns voice--it's
been in Los Angeles the entire time, under the astute and faithful stewardship
of Solomon Burke. Burke, the King of
Rock & Soul, the Bishop, is a big man with an even bigger talent,
a revered vocalist whose mastery is unmatched by any other proponent of
the style he largely originated. Burke embodies deep soul, with a forty
plus year career that's produced a series of records consistently profound
in emotional, artistic and spiritual gravity.
Early hits like "Cry To Me" and "Everybody Needs Somebody
To Love" (both covered by the Rolling Stones) are blueprints, soul
music essentials, and Otis Redding's choice to re-make Burke's "Down
In The Valley" points to the man as a powerful influence. As Peter
Guralnick noted, Burke has served far too long as "The King In Exile";
despite a towering reputation among peers and fans alike, and his 2001
induction into the Rock & Roll Hall of Fame, the singer remains somewhat
of a mystifyingly under-appreciated figure. With the release of Don't
Give Up On Me, his Fat Possum debut, the widely acknowledged King of Rock
& Soul is liable to ascend to a height equal to his glorious 1960s
reign at Atlantic Records.
While any exposure to the Burke style guarantees instant and enduring
appreciation, the roster of song contributors on this disc are, in and
of themselves, a strong testimonial to Burke's implacable spell: Bob Dylan,
Brian Wilson, Van Morrison, Elvis Costello, Nick Lowe, Tom Waits, Joe
Henry, with key contributions from legendary veteran writers Dan Penn,
Mann & Weil, all contributed commercially unreleased original compositions,
either specifically custom tailored to, or innately suited for the interpretive
genius of this unrivaled singer. (In Morrisons case, both songs
wound up on his own latest album). Never before has such a cross-section
of revered pop talent enthusiastically converged on one album, but there
are precious few vocalists on the aerie artistic level of Solomon Burke.
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