Show Info
Wall of Voodoo's Stan Ridgway

An Evening With
Wall of Voodoo's
Stan Ridgway & Band
Presenting "Desert of Dreams"
New Solo Release
& WOV & solo hits!
Click to listen

Donovan Quinn
& the 13th Month


**First 100 people through the door will receive a FREE CD from the Stan Ridgway catalog!!!***


Date: Friday, July 31, 2009
Doors:
8:00 PM
Show:
9:00 PM
Tickets: On Sale Sunday, May 3
$25
General Admission
SEATED SHOW!
(limited seating - seating is likely but not 100% guaranteed - arrive early!)

Dinner Ticket $49.95
(sample menu here)

Download ticket fax form here

Tickets available on-line at gamhtickets.com

Charge by phone at
1-888-233-0449

Age Restrictions: 6+
Kitchen:
Regular Menu Available
Seating:
Limited
 
Artist Links

Stan Ridgway
Wall of Voodoo
Donovan Quinn

“Music is more than just chords and notes to me, it has the ability to make pictures in the mind My records are designed to be seen as well as heard.”—Stan Ridgway

When it comes to writing strange tunes about ghostly marines, strippers with broken arms, and “robbers and bandits and bastards and thieves,” songwriter/guitarist Stan Ridgway is an incomparable noir troubadour. Making musical pictures for 30 years now, from his early days with L.A.'s Wall of Voodoo, this sound alchemist has emerged as a singular voice in contemporary song. And he has developed no small number of friends, fans and followers:  he's produced Pixies front man Frank Black, written songs for film with Police drummer Stewart Copeland, shaped soundtracks as well as writing and orchestrating music for the surrealist paintings of Mark Ryden, and both recorded and performed for uber-producer Hal Willner. Truly modern, 21st century folk music, Ridgway's dark, tall tales often take place in the microcosmic miasma of L.A. and its outer desert, where his characters try to wrest meaning from the beautiful catastrophe of their lives.

As he takes to the road, Ridgway is staging a series of retrospective shows and also releasing a new solo CD titled “Desert of Dreams”, set for launch July 31st this summer.  In honor of over 25 years of musical mystery from the House of Ridgway, he'll be screening his vivid stories in concert starring his classic cast of anti-heroes, dreamers and schemers lost in the darkened drive-in theater of America. The jungle-bound soldier from “Camouflage” (a surprise Top 5 Hit in Europe from Ridgway's 1986 solo debut The Big Heat), the runaway driver of “King for a Day” (from his most recent offering Snakebite: Blacktop Ballads and Fugitive Songs), and the frustrated outsider in “Don't Box Me In” (written with Stewart Copeland of the Police for the Francis Ford Coppola film Rumblefish) are but three of Ridgway's creations that persist, long after the song is over and the curtain has dropped.

Ridgway's inimitable vocal style carries listeners to the edge of their seats, while perfectly balancing his sometimes-untrustworthy narrator's voice from the twilight zone. Ridgway is a rare performer and songmaker whose enduring sketches nail the human condition down cold while his characterizations of life remain absolutely fresh and alive.

A new solo CD" Desert Of Dreams" to be released July 09. 
Ridgway's latest releases are Snakebite, BBQ Babylon and Silly Songs For Kids Vol. 1.

Musicians : Stan Ridgway: vcs, elec. guitar, harmonica / Pietra Wexstun: vcs, keyboards. electronics / Rick King: vcs, elec. guitar and bass /Joe Berardi: drums & percussion, electronics / JT Lazar: keys, table saw, sandpaper


Press quotes:

“Ridgway's post-Wall of Voodoo output has cemented his neo-noir rep as one of American music's great storytellers, the wild and wily Steinbeck of sad whiskey railroads and rusted, ramshackle American dreams.”  - AUSTIN CHRONICLE

“Stan Ridgway is equal parts Raymond Chandler and John Huston, Johnny Cash and Rod Serling. An Indie alt-country punk pioneer with songs from a desert twilight zone. “ - NME

“Singer/songwriter Stan Ridgway's eighth solo album is a glorious hard-boiled Hollywood road movie for the ears. “   -  THE WIRE

“Ridgway has become his own wireless theater. Spanning nearly 30 years in song, master storyteller Ridgway pulls out new and old work to dazzling effect. “  - MUSICMUSE

 

 

©2001-2004 The Great American Music Hall